Music takes me far and wide — from north of the Arctic Circle to the Cape of Good Hope, through India, Europe, Central America and back and forth across Canada, this amazingly big, beautiful country of ours. My violin is always there with me. We play, dance and sing together through grief, loss, laughter, joy and wonder.
Along the way these tunes were born — thirteen pieces to be played by one player. SOLOWORKS is the offspring of my journeys, self discovery and the comfort found in being alone; that being solo works.
Soloworks was triggered by life — or, in this case, the deaths of her father and her musical soul-mate Oliver Schroer. A subsequent tour of Italy led Anne to the tiny, medieval hamlet of San Felice, where she practised in an old chapel, growing increasingly intoxicated by the building’s acoustics. This grew into a series of acclaimed solo shows, and the genesis of Soloworks.
Chapel-tested in Tuscany before they were painstakingly recorded in the rich acoustics of Toronto’s Timothy Eaton Church, these compositions cut to the heart and bone of human emotion. It is life experience from all corners that fuels Anne — from the exuberance of the Majengo Children’s Home choir leading off “The Dusting Rag”, to the rapturous “Seas Will Rise”, written in and inspired by South Africa in celebration of the human spirit.
“Pilgrimage to Pushkar” and “Dogs in the Hollow” were written in India, an homage to Anne’s studies of Indian classical music with virtuoso Trichy Sankaran. Anne’s Arctic sojourns to Canada’s Nunavut and Finland’s Akaslompolo give us “The Cold Told A Tale”, lyrically referencing the Nordic epic, The Kalevala.
Produced by: Anne Lindsay
Written in, and inspired by, South Africa in celebration of the indomitable human spirit. Lyrically, it references the threat of global warming, yet remains buoyant and uplifting.
Gypsy spirit meets classical intrigue, as the vitality of Indian culture bends to the influence of Hollywood. Written in India overlooking the Lake Palace Hotel where James Bond’s Octopussy was filmed.
A tribute to friend and mentor Oliver Schroer; two of his compositions played on Swedish nyckelharpa (key harp) with a backdrop of Swainson’s thrushes recorded in Clayoquot Sound.
Written for cellist Amy Laing while on tour across Canada with Blue Rodeo — tons of fun!
The resonant tone of solo violin lends tension and depth to the reinvention of this much-loved Smokey Robinson classic.
This playful, upbeat fiddle tune opens with the voices of Majengo Children’s Home (a Tanzanian orphanage where Anne volunteers); dedicated to the Dusting family in Vancouver.
With lyrical references from the poetry of The Kalevala, Nordic myths come to life against a bleak winter landscape while underlining the warmth of the tenacious peoples of the far north.
If you listen closely you can hear them! A zesty fiddle tune that morphs into an eastern shredder — frolics on all fours.
Anne learned the first tune from Irish-American fiddler Liz Carroll herself and combined it with a favourite Nordic fiddle tune that bursts with the unbridled joy of playing.
An original nyckelharpa tune, written for Anne’s nephew’s nuptials.
A eulogy for the dearly departed and a moment of appreciation of our temporal existence.
The first piece Anne composed for solo violin. Inspired by the delicate beauty of Tuscan acacia blossoms strewn across fields like a dusting of snow after a fierce wind.
Much of this CD was recorded at Timothy Eaton Memorial Church in Toronto, where Anne sang in the junior choir. The sparse, piano-based arrangement comes from having first sung this hymn at her uncle’s funeral. The funeral bells were recorded in Crillon Le Brave, France.